The title of the installation -"Vitrine of The Holy Wrath/Ark"- is a misspelling of a Hebrew expression in the holy tongue, while the word Ark is turned to Wrath by a change of a letter.

This vitrine is a paraphrase on a display window which creates

a mixture of weapons store and a store for sacred accessories and national history. The exhibited objects, or "Jewish ritual objects" hint on the way holiness and national values turn to be objects of consumerism, serving faith or ideology mixed with violent impulses or sin. The imaging of a store entrance, located in the center of the display window, turns into a holy closet or possibly a "fishy" store.

The shattered glass is an evidence of a violent event, and colorful party bulbs lead us on the thin line between a world

of the sanctity and a world of sin and malice.

A person surrounds himself with objects which may attack or may protect him, under the pretext of a mission from God or the state. Objects, which their use has been expropriated, intermingle and change their targets and meanings, under the pressure of consumerism, in which a moral code becomes 

a consuming code.