The process by which the man destroys for the sake of building and builds for the sake of destruction, there is a constant process of composing and separating of thought and action, horizontally and vertically. Combining perishable and stable materials, into objects reminiscent of human organs - eyes, spine, hands, brain-like image, etc., conduct a dialogue among them and tools/accessories in their use, while creating a physical and mentall "Membrane" between the external and internal use. 
Newly created connections between the body and the object due to an intervention and taking them out of context, suggest options where the object offers a definition for use and allows 

the opposite of it, tunes for something useful and directs against it in parallel, or allows a possibility of use on one hand, and neutralizes it on the other hand. 

These ambiguities suggest internal absurdities constitute a metaphor for choking, frustration, difficulty in obtaining other disabilities, and stagnation in the flow of life . These offer social observation concerning the necessary dependence between the bad and good,  between what flows and stucks, and the inability to extricate from.